Job Opportunities

Internships/Fellowships

Conferences

Calls for Papers

Courses

Job Opportunities

Director of Development, Vesterheim Norwegian-American Museum

Volunteer Manger,
Ten Chimneys Foundation

Director, WI Field Office (Grant Funded), National Trust for Historic Preservation

Internships/Fellowships

Various summer internships and fellowships are available both locally through the Wisconsin Historical Society as well as nationally and internationally. Most of these are for a summer term with application deadlines in the spring. These get posted as we are made aware of them.

SUMMER INTERNSHIP OPPORTUNITY IN
MATERIAL CULTURE/LOCAL HISTORY/MUSEUM STUDIES

Does the local historical society in your hometown need help with program development or artifact cataloging? Do you know of a great collection at a local museum that deserves some in-depth research? The Material Culture Program at UW-Madison is offering a unique opportunity for a graduate student or advanced undergraduate to develop an internship with a Wisconsin museum or historic site. With this opportunity, you can create a position tailored to your interests and experience, share your knowledge and skills with a site that needs them, and support the Material Culture Program's mission to foster relationships with small, local institutions.

In consultation with the Director of the Material Culture Program, you will secure a position at a suitable host institution and develop a written proposal for specific tasks to be performed. The proposal must be approved by the Director of the Material Culture Program and the supervisor from the host institution before the internship can be accepted for credit and for an honorarium.

Thanks to a generous grant from the Caxambas Foundation, the UW-Madison Material Culture Program is able to offer an honorarium of $2000 for this position.

REQUIREMENTS

•  200 work hours are required between May and August, 2010, for a total of 3 course credits earned. This can be a scheduling challenge for small volunteer-run institutions, so the intern needs to be flexible.

•  The intern must provide his or her own transportation to the site.

•  Preference will be given to candidates who are currently working toward a Material Culture Certificate at UW-Madison.

To find out more, contact Professor Ann Smart Martin, Director of the Material Culture Program at UW-Madison (asmartin@wisc.edu).

Return to top.

Conferences

"CAA2010"

February 10-13, 2010; Chicago, IL

The 98th Annual Conference of the College Art Association.
http://conference.collegeart.org/2010/

"READING MATERIAL: TEXTUAL AND CULTURAL OBJECTS"

March 4-6, 2010; Madison, WI

University of Wisconsin-Madison Conferences in Language and Literature (MadLit)

"MYSTERIOUS THINGS"

March 4-6, 2010; Urbana, IL

The 11th Annual Graduate Symposium on Women's and Gender History, the University of Illinois at Urbana-Champaign

"SPACES: PERSONAL, CULTURAL, URBAN"

March 19-20, 2010; Philadelphia, PA

The 2010 Annual Conference of the Middle Atlantic American Studies Association, hosted by La Salle University.

"MATERIALS OF EXCHANGE"

April 24, 2010; Winterthur Museum & Country Estate, Winterthur, DE

Material Culture Symposium for Emerging Scholars

Presented by the Center for Material Culture Studies at the University of Delaware and Winterthur Museum & Country Estate, Winterthur, Delaware

Return to top.

Calls for Proposals/Papers/Artwork

"MYSTERIOUS THINGS"

March 4-6, 2010; Urbana, IL

Call for Proposals

The 11th Annual Graduate Symposium on Women's and Gender History, the University of Illinois at Urbana-Champaign

The Symposium Executive Committee is interested in assembling a geographically, temporally, and topically diverse body of papers.  This year's theme, "Mysterious Things," speaks to a variety of trends that are currently shaping the field of women's and gender history.  This is particularly the case as we march on through a world where things-be they ideas, objects, or some strange mix thereof-continue to delight, baffle, liberate, and ruin individuals, as well as global institutions.  Successful proposals could directly explore and build upon the implications of the moment in Marx's thought concerning commodities wherein what should become inanimate matter actually assumes a mysterious, yet undeniable kind of life.  Proposals could begin to chart out this life in a variety of fields-particularly gender and sexuality-and its effects upon those whom it comes into contact.  Indeed gender and sexuality are, themselves, mysterious things, and proposals could also include any work that seeks to expose and demystify their strange functions in the everyday life of people and institutions.  We welcome all proposals that seek to examine and interrogate any of the nebulous, enigmatic areas included under the rubric of women's and gender history.  The choice of theme is purposefully broad but provocative, inviting perspectives and reflections from a variety of temporal, geographical, and inter/disciplinary perspectives.

To submit a paper or panel proposal, please send one attachment in Word or PDF format containing a 250-word abstract and a one-page CV for each paper presenter, commentator, or panel chair to gendersymp@gmail.com  by November 15, 2009.  The subject line of the email MUST read "Attn: Programming Committee."

"MATERIALS OF EXCHANGE"

April 24, 2010; Winterthur Museum & Country Estate, Winterthur, DE

Call for Proposals

Material Culture Symposium for Emerging Scholars

Presented by the Center for Material Culture Studies at the University of Delaware and Winterthur Museum & Country Estate, Winterthur, Delaware

Focus: Supported in part by a National Endowment for the Humanities grant for public engagement in the humanities, this year's symposium encourages graduate students and other emerging scholars to submit papers exploring material exchange over time and space. Within that context, we seek diversity in topics, chronology, and disciplinary approaches.

 Travel grants of up to $300 will be available for presenters. Disciplines represented at past symposia include American studies, anthropology, archaeology, consumer studies, English, gender studies, history, museum studies and the histories of art, architecture, design and technology.

Submissions: Proposals should be no more than 300 words and should clearly indicate the focus of your object-based research, the critical approach you take toward that research, and the significance of your research in the wider community. Send your proposal, along with a current c.v. (no more than two pages), to emerging.scholars@gmail.com

Deadline: Proposals must be received by 5 pm on November 20, 2009. Speakers will be notified of the vetting committee's decision in January 2010.

Confirmed speakers will be asked to provide symposium organizers with
digital images for use in publicity and are required to submit a final draft
of their papers by
March 12, 2010.

"READING MATERIAL: TEXTUAL AND CULTURAL OBJECTS"

March 4-6, 2010; Madison, WI

Call for Proposals

University of Wisconsin-Madison Conferences in Language and Literature (MadLit)

English Dept. Graduate Student Conference

The Graduate Student Association at the University of Wisconsin-Madison English Department is pleased to announce the 6th annual MadLit Conference.  This year's conference, "READING MATERIAL," engages the intersections between literature and material culture.

We are currently soliciting proposals for 15 to 20 minute presentations and three-person panels on any aspect of objects, things, and literature.  Possible considerations might include:

  • What is the importance of distinctions between "objects," "things," "material goods," etc.?
  • What are the limits of the "material"?
  • How do objects cross or define borders?  What are the postcolonial implications of material culture studies?
  • What is the materiality of place--of domestic spaces, gothic spaces, etc.?
  • Are objects gendered or sexualized?
  • Does literature mask or illuminate the material world?
  • How does the materiality of the book evolve across periods?  How do fields like paleography and book history speak to the relationship between text and objects?
  • Do artifacts, relics, or curiosities mandate their own forms of reading?
  • How does drama complicate "thing theory," given that the object has a presence on the page and the stage?
  • Does our changing relationship with materials over time complicate our notions of periodization?
  • Do objects produce and/or complicate genre?
  • What is the status of the "thing" in the digital age?
  • How do we bridge the perceived divide between abstract theory and a material world?
  • What does it mean to consider the text as a "thing"?
  • How does "thing theory" change the way we read literature?  And, more broadly, how does "thing theory" help us rethink the process of "reading"?

Please submit a 250-word abstract to UWMadLit@gmail.com by January 10, 2010.  Accepted papers will be announced by January 25, 2010.

"SPACES: PERSONAL, CULTURAL, URBAN"

March 19-20, 2010; Philadelphia, PA

Call for Papers

The 2010 Annual Conference of the Middle Atlantic American Studies Association, hosted by La Salle University.

On the La Salle campus, one finds a cultural site of interest to all students of American culture: Belfield, the one-time estate of Charles Willson Peale.  As a painter, civic leader, inventor, educator, taxidermist, museum curator, military
commander, paleontologist, naturalist, and landscape gardener, Peale embodied
the interdisciplinary ideal that continues to shape the field of American Studies.  Fittingly, it is the spirit of Peale that inspires this conference theme.  In the American Studies tradition, we seek interdisciplinary papers that explore multiple and varied concepts of space: transnational or intercultural spaces; public spaces; intellectual spaces; imaginary or fantastical landscapes; rural, suburban, and urban America; retail and shopping venues; religious spaces; city planning and architecture; artistic spaces; ethnic spaces; tourism; spaces shaped by memory and nostalgia; and spaces of food creation and consumption. 

Undergraduates interested in presenting their work in the Undergraduate Roundtable should select a mentor and then contact Dr. Francis J. Ryan (ryan@lasalle.edu). 

Accepted graduate students will be encouraged to submit their work electronically several weeks prior to the conference so as to be considered for our award – Most Outstanding Graduate
Paper.

Deadline for Proposals is January 15, 2010.  Please send a one-page abstract and one-page CV to John R. Haddad either electronically (jrh36@psu.edu) or by mail:

 John Haddad
American Studies
School of Humanities
Penn State Harrisburg University
777 West Harrisburg Pike
Middletown, PA 17057

Return to top.

Courses

SPRING 2010
MATERIAL CULTURE COURSES

Art History

457 History of American Vernacular Architecture and Landscapes. I; 3 cr (H-D). Survey of American vernacular buildings and landscapes from the colonial period to the present. Emphasis is on acquiring descriptive tools and developing interpretive frameworks to explore the significance that these vernacular environments have had for their makers and users. P: Jr st & at least one Art Hist crse, or cons inst. Andrzejewski.

475 Japanese Ceramics and Allied Arts.  Advanced lecture/discussion course on the history of ceramics in Japan from earliest times to the post-war period looking at the technological, cultural, political, and economic, as well as aesthetic, dimensions of ceramic development in Japan. Prereq: Undergrads: a prev crse in art hist or design and satisfaction of Com B requirement. Knowledge of Japan recommended. Phillips.

563 Proseminar in Material Culture. I; 3 cr (H-D). Interdisciplinary study of the way people use objects and environments to express identities and relationships in households, communities, and larger social/economic systems. P: So st. Andrzejewski.

600 Special Topics in Art History.
"Crafting Museum Exhibit: 150 Years of Women's Craft." 3cr.  P: Jr st, or cons inst.  Martin.

600 Special Topics in Art History.
"The Architecture of Cuba." 3 cr.  P:
Jr st, or cons inst.  Menocal.

Design Studies

355: History of Fashion, 1400-Present
Changing form and meaning of costume in the West from Renaissance to present. Dress considered in relation to social/cultural milieu and as an art form. Includes treatment of the body; ethnic/class variations; couture; "antifashion". 3 cr. P: Jr st or cons inst.  Gordon.

420: Twentieth Century Design
Design, including interior, furniture, graphic and textiles, is viewed through broader social and cultural issues including: an aesthetic to express a new age; processes, materials, and marketing techniques; roles for designers; consumer versus designer initiated production. Visits to local collections. 3 cr.  P: ETD 120, or Art Hist 202, or cons inst.  Boyd.

512: Material Culture Analysis: The Arts and the Consumer Society
The meanings of objects--both art objects and consumer goods. Interactions between people and objects; "decoding" objects as primary sources of information about the people/cultures that make and use them. 3 cr.  P: Jr st.  Gordon.

Folklore

530: Topics in Folklore
"Cultural Landscape Preservation." 1-3cr.  P: Jr st or cons inst.  The course begins with discussions of what cultural landscapes are, includes a landscape history resources overview, and spends much of the semester reviewing varied landscape preservation types from local to international.  Issues of policy and history of preservation are embedded in the readings and can be deepened through reading, discussion, and project work.  Speakers representing various types of cultural landscape preservation come to class to present on the type of preservation work they do in varied work settings. *Cross-listed with Landscape Architecture 677.  Gilmore.

Return to top.


OTHER EDUCATIONAL OFFERINGS:

MESDA SUMMER INSTITUTE
The Museum of Early Southern Decorative Arts and the University of Virginia offer a graduate Summer Institute on early southern history and decorative arts. This summer's session, July 11-August 6, 2010 in Winston-Salem, North Carolina, will focus on the Chesapeake regions. For more information contact Sally Gant at MESDAEducation@oldsalem.org

COLONIAL WILLIAMSBURG PROGRAMS
The Colonial Williamsburg Foundation in conjunction with the College of William and Mary offers two residential programs for college students:

Williamsburg Semester-in-Residence Program
offers a variety of approaches to studying the past, but a chief feature will be classes conducted "on site" at museums, historic structures, and archaeological projects. 12 cr.

Williamsburg Collegiate Program
is a year-long interdisciplinary approach to the study of the American past, material culture, and the purpose and operations of museums. The program requirements include two core courses, one field school, one semester-long internship, and three electives.

WORKSHOPS AT OLD WORLD WISCONSIN
Throughout the year, Old World Wisconsin offers the opportunity to learn the customs, trades and crafts practiced by 19th-century Wisconsin settlers through a variety of workshops designed to give participants a hands-on experience in a true-to-life historic setting.  Be sure to check out the Calendar & Events page.


Current and Upcoming Exhibitions and Events
Opportunities
Recent Developments
Faculty & Student News


© 2003 The Board of Regents of the University of Wisconsin System